Sam Grisman Project at the Aladdin Theater
The Sam Grisman Project brings its roots-focused sound to the Aladdin Theater in Portland, Oregon. Led by bassist and musician Sam Grisman, the project draws on bluegrass and acoustic traditions, offering a live concert experience shaped by ensemble playing and a connection to American roots music.
The supplied event listing records a performance at the Aladdin Theater on December 9, 2023. That date places the project in Portland's intimate theater setting, where audiences can experience live music in a historic neighborhood venue. No additional tour, album, or set-list details are available in the event information.
Find event guides for Portland concerts, including Pop / rock, on portland-tickets.com.
Venue and Seating Information
The Aladdin Theater's theater-style setting offers a more intimate alternative to a large arena. Seating and sightlines can vary by event configuration, so check the specific event details before choosing tickets. The supplied information does not identify particular sections as best, worst, or preferred by fans.
For a performance centered on acoustic and roots music, consider how close you would like to be to the stage and whether you prefer a seated view or a position with more room to move. Availability and layout should be confirmed for the event date.
Parking Information
Parking availability and prices were not provided for this event, so confirm current options before traveling. Fans can compare nearby street parking with paid lots or garages and allow extra time to find a space.
- Review posted street-parking signs carefully, including time limits and restrictions.
- Consider a paid parking facility if convenient availability and a predictable departure are priorities; verify its location, hours, and rates directly.
Sam Grisman Project Portland reviews
Born To Run In Chi Town
This show was my 59th Springsteen concert of all-time, the 4th Springsteen show in Chicago over the last couple of years. More saxophone than in most shows on recent tours, Clarence sounded phenomenal. Nils was also at the top of his game playing a variety of guitars from traditional leads to slide. The crows was into it from the first note, "Seeds" was an interesting and somewhat surprising show opener. "Johnny 99" was a standout early on, as well as "Cover Me." The band played "Working on A Dream" with a little humor. Bruce said, "well tonight you got to see the E Street Band 'mess-up' a song."
The stand out part of the show came next, with the entire "Born to Run" album played in sequence. Complete with audience participation, "Show a little faith, there's magic in the night." A trumpet player named Curt Ramm joined for "Tenth Avenue Freeze-out" and "Meeting Across The River." The gentlemen who played upright bass on the original "Meeting" studio track also performed. "Night" lacked its usual intensity, and "Jungleland" was one of the best versions ever heard. A classic Clarence sax solo followed by a very passionate Bruce singing "tonight..in..Jun..gle...land"!
The rest of the main set was pretty standard, with "Badlands" ending the show. The encores included a tribute to Elle Greenwich with "Da Do Ron Ron" and "Rockin' Robin." Ending with "I'm Going Down" from "Born In The USA." "Rosalita" was requested and marked the end of the 2 HRS, 58 MINUTES & 28 Songs show. What a great night? Shame on you if you missed it. This was one for the ages.